Luan Santana - DONA (Ao Vivo na Lua)
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About Luan Santana - DONA (Ao Vivo na Lua)
Luan "Ao Vivo na Lua": Gravado no dia 17 de Julho de 2024 no Centro de Treinamento Laudo Natel, Cotia - SP - DONA Tem segunda intenção Nesse "Não, não para não" No selinho do fim do beijo Que cê insiste em me dar Isso é coisa de quem quer amar Só me conheceu depois Que eu deixei de ser dois E voltei a ser só um Você não tem culpa, Isso é um erro comum Eu tava ali pra esquecer alguém Cê tava ali pra encontrar alguém E encontrou, só que tem um porém O coração que cê quer entrar tem dona O te amo que cê quer escutar tem dona Eu posso te emprestar o corpo, Porque ele ainda é meu Mas o sentimento ela não me devolveu O coração que cê quer entrar tem dona O te amo que cê quer escutar tem dona Eu posso te emprestar o corpo, Porque ele ainda é meu Mas o sentimento ela não me devolveu Ela não me devolveu - Direção Artística: Luan Santana Direção Musical: Lucas Santos Direção de Vídeo: Douglas Aguillar e Fran Landhin Compositores: Matheus Costa / De Ângelo / Eliane Quexin Produção do DVD Direção Geral de Produção e Técnica: Thiago Modesto Gomes Produção Executiva, Logística e Backstage: Dona Daia Assistente de Produção e Técnica: João Alípio Banda Teclados: Paulinho PEXE Bateria: Diego Jean Vicente Sanfona: Gustavo Meyer Violão: Fernando Baron Baixo: Tiago Moraes Guitarra: Lucas Santos Guitarra: Luan Murilho Guitar Still: Paulinho Perin (Participação) LS Music Diretor Geral: Amarildo Santana Diretora Comercial: Bruna Santana Gerente Financeiro: Valdir Parpinelli Gerente Comercial: Sérgio Bianchini Diretor de Marketing: Junior Reis Diretor de Marketing: Yan Lassance Analista de Marketing: Matheus Pequeno Diretor de Criação: Luan Pedro Designer: Luan Mota Central de Fãs: Leonardo Andrade Central de Fãs: Adrielly Alencar Assistente Comercial: Suélly Santos Assessoria de Imprensa: Arleyde Caldi Coordenação de Rádios: Rener Pré-Produção: Dona Daia Head de Produção: Thiago Modesto Gomes Atendimento LUAN Store: Alexsandra Rodrigues Mascote: Bartolomeu Figurino Figurino: Marizete Santana Cabelo e Maquiagem: Tony Siqueira Equipe Produção e Técnica - Show Produtor Geral: Weverton Santana (Tonzeti) Técnico de P.A.: Zaka Rosa Técnico de Monitor: José Augusto Fagundes Roadie: Alexsander Matos Roadie: Rodrigo Alves de Souza Roadie: Carlos Nascimentos Roadie: Will Lucatto Camareiro: Claudio Alves Seguranças: Wellington Santoro e Edgar Duarte Filmmaker: Gabriel Porangaba / Jon Ricciardo Costa Assessor: Labaki Personal: Guto Oguido Projeto e Cenografia: Cenógrafo: Zé Carratu Arquiteto: Dhiego Bueno Confecção de Cenário: Boa Imagem Cenografia Equipe Técnica DVD Gravado por: Estúdio Epha Engenheiros de Sistema: Gleison Back e Luiz Carlos Macedo Abreu Engenheiro de Gravação: Marcelo Freitas Assistentes de Gravação: Bruno de Araújo e Silvio Fernando Mixado e Masterizado por: Leandro Gonçalves Técnico de RF: Lucas Gondim Direção de Fotografia: Carlinhos Nogueira e Arnaldo Mesquita Light Designer: Carlinhos Nogueira Programador: Ygor Claudino Conteúdo: Chroma Garden Projetores: On Projeções Equipe de Captação: MARC Films Movimentos: Megatroper Drones: Coptercam Estrutura: Spada Mídia Autoração DVD Coordenação e Supervisão: Dona Daia Fotógrafos: Gisele Reis Caio Mayer Alisson Demetrio Agradecimentos: A Deus, minha família, os meus fãs, amigos, compositores e parceiros: Sony Music Stanley Oakberry Márcia Avelino
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YouTube Live View Counter is the best way to check your Favorite Creator's Statistics updated in real-time! Data seen on Most Social Medias might be inacurate or delayed, that's why Livecounts.io came with idea for YouTube Live View Counter!
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The YouTube Live View Counter explained
What the YouTube Live View Counter does
The YouTube Live View Counter tracks the view count on a single video and refreshes it about every three seconds, the fastest cadence we run. When a big upload or a premiere goes live, YouTube's own view count updates in slow, lumpy jumps and freezes for stretches while it verifies views. This tool reads the public figure far more often, so you see the number climb in something close to real time.
Under the main view count you get three more live stats for the same video: likes, dislikes, and comments. The dislike figure is worth calling out. YouTube hid the public dislike count in 2021, and this counter brings back an estimate so you can still gauge how a video is landing, not just how many people opened it.
How to use it
Want the counter on a stream or a watch-party page? The embed option gives you a widget you can drop in. Want to race two videos, maybe a music video against its rival's? The compare tool puts both view counts side by side.
- 1Paste the video's URL, or search for it by title. A full YouTube link is the surest way to land on the exact video you mean.
- 2Confirm the right video from the results, since popular titles get copied and reuploaded constantly.
- 3Watch the view count climb. The likes, dislikes, and comments update alongside it, and the chart tracks the pace over time.
Why the count moves the way it does
View counting on YouTube is stricter than subscriber counting. YouTube checks that a view is a real person watching, not a bot or an accidental reload, which is why a brand-new video's count can stick at a suspiciously round number before it lurches forward. What you see here mirrors that. During a premiere or a viral spike the number races. Once the initial rush fades it settles into a steadier pace.
All of it is public. This is the same view count sitting on the video's page, pulled more often and shown without the delay YouTube adds when it is busy verifying. We do not inflate anything or add views. We just make the real number easier to watch as it changes.
Reading the chart
The chart under the counter plots every reading, so its slope is a live read on how fast the video is gaining views. A steep climb in the first hour is the sign of a video the algorithm is pushing hard. When the slope flattens, the initial rush is over. Turn on Advanced Metrics to add the total views gained since you opened the page and an average per-minute rate. That is the quickest way to tell a genuine breakout from a video that opened fast and then stalled.
The likes and comments moving in step with views tell you something too. A video gaining views but almost no likes is spreading without landing. Strong likes and comments alongside a climbing view count is the shape of a video people actually care about.
The moments people show up for
A new music video from a major artist is the classic case. Fans open the counter the second it drops to watch the first million, then the first ten million, roll in over the opening hours. Records get set and broken this way, and a live counter is the only place to feel the pace rather than read the recap.
The same goes for anything chasing a landmark. A video creeping toward a billion views pulls a crowd who want to catch the odometer flip. Creators use it too, watching how a fresh upload gathers views in its first hour to judge whether it is breaking out.
Common questions
Why does the count sometimes freeze? YouTube pauses public view counts while it verifies that new views are real, usually on fast-moving videos around round numbers. The counter reflects whatever YouTube is showing, so it freezes when YouTube does, then catches up in a jump.
Where does the dislike number come from? YouTube removed the public dislike count in 2021. The estimate here is built from the data that was public before the change plus ongoing signals, so treat it as a strong estimate rather than an exact figure. Likes and comments stay exact, because those are still public.
Does it work for any video, and is it free? Any public video works. Private, unlisted, or restricted videos that hide their stats cannot be tracked, because the numbers are not public. It is free, with no sign-up. Ads keep it running. Paste a video link and watch.
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